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  1. The Queen's Gallery, Palace of Holyroodhouse The income from your ticket contributes directly to The Royal Collection Trust, a registered charity. The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.

  2. Drawings & Pastels 76 Watercolours 84 Oil, Acrylic paintings & Mixed Media 76 Chinese Works of Art 6 Clocks 7 Furniture 69 Japanese Works of Art 1 Porcelain 11 Lighting 6 Glassware 5 Prints & Multiplies 5 Salvage & Architectural Antiques 9 Fine Art 4 Toys, Models & Dolls 2 Metalware 5 Coins 1 Ceramics 7 Sculpture 7 Photographs 1 Decorative Art 2 Arms, Armour & Militaria 2 Scientific ...

  3. The Queen has a private income from her personal investment portfolio, though her personal wealth and income are not known. In 2002, she inherited her mother's estate, thought to have been worth £70 million (the equivalent of about £121 million today). Sandringham House and Balmoral Castle are privately owned by the Queen.

  4. Elizabeth Eleanor Siddall, named after her mother, was born on 25 July 1829, at the family's home at 7 Charles Street, Hatton Garden. Her parents were Charles Crooke Siddall, and Elizabeth Eleanor Evans, from a family of English and Welsh descent. She had two older siblings, Ann and Charles Robert.

  5. Browse Christie's upcoming auctions, exhibitions and events

  6. She has been commissioned to produce paintings for both the Queen and the Queen Mother. Rosie is an authority on old apple varieties and produced a book of her paintings of them The English Apple . Rosie is now well known for producing very large watercolour paintings of flowers which have intense colour. paintings are in Dr Sherwood's collection.

  7. 06/04/2022 · As she painted this portrait, her Queen was being driven from power by revolutionaries who hated the profligate lifestyle of the nobility and would later execute both Marie-Antoinette and her husband, King Louis XVI. Given these circumstances, Vigée-LeBrun—a working painter, wife, and mother—displays an extraordinarily sanguine persona.